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A print taken from an original acrylic on canvas. Inspired by walks on the moorland when the heathers light up the land. Featured in the 2025 February edition of Country Living. The print is available as an A4 (21cm x 29.7cm) or as an A3 (29.7cm x 42cm). All prints are printed on high quality fine art 300gsm Marrutt art paper. Prints are sent wrapped in tissue and backed with a hardbacked envelope. -
She is not posing. She is resting her face. She has survived emails, opinions, a mysterious ache in her left knee, and a conversation that started with “Can I just ask you something quick?”
She stands very still among the flowers because if she moves, someone will need her.
The roses are pale, like her patience. The birds know better than to speak. Time itself is holding its breath.
This is not a dramatic pause. This is a strategic one.
In a moment, she will open her eyes and return to being competent, kind, and helpful. But not yet.
This is a print taken from an original mixed media illustration. It's surrounded by a white border. The print is available as an A4 (21cm x 29.7cm) or as an A3 (29.7cm x 42cm). All prints are printed on high quality fine art 300gsm Marrutt art paper. Prints are sent wrapped in tissue and backed with a hardbacked envelope.
Absolutely not yet. -
A print taken from an original acrylic on canvas. Dove and the bluebells.Thirty years ago I sat in a house with Mrs Reed who would become my piano teacher. She was an astute, witty, joyous woman who not only played the piano beautifully, but also the cello. Her music room stretched out to a garden that never seemed to end. She kept doves and every so often you could hear their coos. Containing 1–13 rising notes, and a sequence repeated 4–5 times per minute for many minutes on end, they were the soundtrack to her garden. It feels like a million years ago now. In time as I learnt to play, I was allowed to play in the garden after my lesson, climb the trees and look at the doves.I feel really connected to my own garden at the moment, more than I ever have and for a number of reasons. This memory popped into my head and I felt it deserved a little nod.The print is available as an A4 (21cm x 29.7cm) or as an A3 (29.7cm x 42cm). All prints are printed on high quality fine art 300gsm Marrutt art paper. Prints are sent wrapped in tissue and backed with a hardbacked envelope. -
Frazzled in the Flowers is based on the theory of "Frazzled Englishwoman Interiors". It's basically zero time and an emotional support mug that hasn’t been washed since Tuesday!. It’s Laura Ashley meets “I’ll deal with that later" My examples are also: A “special occasion” candle that has survived four house moves and several emotional breakdowns. The wick is at the end of its wick, in more ways than one. One extremely beautiful teacup you never use, and one chipped mug you would save in a fire. A fruit bowl containing: one lemon, three receipts, and a hair clip. At least one drawer that opens onto pure historical chaos (birthday candles, foreign coins, mystery keys, a single earring). A pile of magazines you are “about to read” that predates at least one Prime Minister. One chair that is legally a Clothes Mountain. So, yes, I'm here for the frazzled and for flowers, so here's a celebration of that. It's an original illustration using mixed media and is surrounded by a white border. The print is available as an A4 (21cm x 29.7cm) or as an A3 (29.7cm x 42cm). All prints are printed on high quality fine art 300gsm Marrutt art paper. Prints are sent wrapped in tissue and backed with a hardbacked envelope.